{"id":329,"date":"2022-11-22T10:46:24","date_gmt":"2022-01-14T12:55:07","guid":{"rendered":"https:\/\/oemafoesranan.org\/archief-2\/"},"modified":"2022-11-26T18:27:34","modified_gmt":"2022-11-26T18:27:34","slug":"podcast","status":"publish","type":"page","link":"https:\/\/oemafoesranan.org\/en\/podcast\/","title":{"rendered":"Podcast"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"class_list":["post-329","page","type-page","status-publish","hentry"],"grid":"{\r\n  \"colCount\": 12,\r\n  \"colGutter\": 1,\r\n  \"rowGutters\": [\r\n    0,\r\n    5,\r\n    1,\r\n    1,\r\n    5,\r\n    1,\r\n    1,\r\n    5,\r\n    1,\r\n    1,\r\n    5,\r\n    5,\r\n    5,\r\n    10,\r\n    2\r\n  ],\r\n  \"frameMargin\": 5,\r\n  \"leftFrameMargin\": 3,\r\n  \"rightFrameMargin\": 3,\r\n  \"topFrameMargin\": 80,\r\n  \"bottomFrameMargin\": 2,\r\n  \"rowAttrs\": [\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {},\r\n    {\r\n      \"bgcolor\": \"#fbfbab\"\r\n    },\r\n    {\r\n      \"bgcolor\": \"#fbfbab\"\r\n    },\r\n    {\r\n      \"bgcolor\": \"#fbfbab\"\r\n    },\r\n    {},\r\n    {}\r\n  ],\r\n  \"bgColor\": \"#fbfbab\",\r\n  \"cont\": [\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<h1 class=\\\"_titwel_oswals\\\">Surinaamse strijdliederen jaren 70<\/h1>\",\r\n      \"align\": \"top\",\r\n      \"row\": 0,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 4\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_paragraph_oswald\\\">Songs over onafhankelijkheid en buitenlandse overheersing Suriname, armoede, ongelijkheid, woningnood, werkeloosheid, rechteloosheid, vrouwen emancipatie. Met een oproep voor solidariteit, organisatie en strijd.<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 1,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 17\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<h1 class=\\\"_titwel_oswals\\\">Aflevering #1 Suriname<\/h1>\",\r\n      \"align\": \"top\",\r\n      \"row\": 2,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 5\r\n    },\r\n    {\r\n      \"type\": \"shortcode\",\r\n      \"cont\": \"<iframe width=\\\"500px\\\" height=\\\"500px\\\" scrolling=\\\"no\\\" frameborder=\\\"no\\\" allow=\\\"autoplay\\\" src=\\\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1388253694%3Fsecret_token%3Ds-GTJZ7kNA5qr&color=%2344913a&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true\\\"><\/iframe><div style=\\\"font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;\\\"><a href=\\\"https:\/\/soundcloud.com\/surinaamsestrijdliederen\\\" title=\\\"surinaamsestrijdliederen\\\" target=\\\"_blank\\\" style=\\\"color: #cccccc; text-decoration: none;\\\">surinaamsestrijdliederen<\/a> \u00b7 <a href=\\\"https:\/\/soundcloud.com\/surinaamsestrijdliederen\/surinaamse-strijdliederen-jaren-70-aflevering-1\/s-GTJZ7kNA5qr\\\" title=\\\"Surinaamse Strijdliederen Jaren 70 | Aflevering #1\\\" target=\\\"_blank\\\" style=\\\"color: #cccccc; text-decoration: none;\\\">Surinaamse Strijdliederen Jaren 70 | Aflevering #1<\/a><\/div>\",\r\n      \"align\": \"top\",\r\n      \"row\": 3,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 9,\r\n      \"shortcodeid\": 1669380372435\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_paragraph_oswald\\\"><span style=\\\"font-family: Oswald-Medium;\\\">Muziekgroep OPO van het Democratisch Volks Front. Met Joyce Rahman, OPO zangeres van het eerste uur, 15 jaar oud bij de oprichting.<\/span><\/p><p class=\\\"_paragraph_oswald\\\"><span style=\\\"font-family: Oswald-Regular;\\\"> Over sociaal-politieke situatie rond de onafhankelijkheid en economische uitbuiting multinationals, samenstelling, werkwijze en principes van OPO, hun grote hit Djai Djai Sarnaam. En verwerkte info van Robby <span>Morroy<\/span>, de enige levende OPOcomponist, over de diverse muziekstijlen.<\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 4,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 12\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<h1 class=\\\"_titwel_oswals\\\">Aflevering #2 Nederland<\/h1>\",\r\n      \"align\": \"top\",\r\n      \"row\": 5,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 6\r\n    },\r\n    {\r\n      \"type\": \"shortcode\",\r\n      \"cont\": \"<iframe width=\\\"500px\\\" height=\\\"500px\\\" scrolling=\\\"no\\\" frameborder=\\\"no\\\" allow=\\\"autoplay\\\" src=\\\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1389138604%3Fsecret_token%3Ds-XXGav79Zsr6&color=%2344913a&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true\\\"><\/iframe><div style=\\\"font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;\\\"><a href=\\\"https:\/\/soundcloud.com\/surinaamsestrijdliederen\\\" title=\\\"surinaamsestrijdliederen\\\" target=\\\"_blank\\\" style=\\\"color: #cccccc; text-decoration: none;\\\">surinaamsestrijdliederen<\/a> \u00b7 <a href=\\\"https:\/\/soundcloud.com\/surinaamsestrijdliederen\/surinaamse-strijdliederen-jaren-70-aflevering-2\/s-XXGav79Zsr6\\\" title=\\\"Surinaamse Strijdliederen Jaren 70 | Aflevering #2\\\" target=\\\"_blank\\\" style=\\\"color: #cccccc; text-decoration: none;\\\">Surinaamse Strijdliederen Jaren 70 | Aflevering #2<\/a><\/div>\",\r\n      \"align\": \"top\",\r\n      \"row\": 6,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 18,\r\n      \"shortcodeid\": 1669380382284\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_paragraph_oswald\\\"><span style=\\\"font-family: Oswald-Medium;\\\">LOSONkoor van de Landelijke Organisatie van Surinamers in Nederland m<\/span><span style=\\\"font-family: Oswald-Medium;\\\">et Denise Jannah, 19 jaar als startende LOSON zangeres.<\/span><\/p><p class=\\\"_paragraph_oswald\\\"><span style=\\\"font-family: Oswald-Regular;\\\"> Over het repertoire, de culturele <\/span><span style=\\\"font-family: Oswald-Regular;\\\">LOSONvleugel, optredens, strijd tegen racistisch overheidsbeleid, ongelijkheid, belang van maatschappijkritische muziek, eenheid van Surinamers, Nederlanders en andere minderheidsgroepen.<\/span><\/p><p class=\\\"_paragraph_oswald\\\"><span style=\\\"font-family: Oswald-Regular;\\\"><strong>Bijlmerkrakerskoor. Met Gilius van Bergeijk, componist en leider van het toenmalige straatorkest Eigen Hulp.<\/strong> Als 28-jarige met zijn orkest betrokken bij plaatopnames van het LOSONkoor en het Bijlmerkrakerskoor. Over de grote kraakactie in de Bijlmer, arrangeren, belangeloze inzet, activistische samenwerking en (internationale) solidariteit.<\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 7,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 13\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<h1 class=\\\"_titwel_oswals\\\">Aflevering #3 Jongeren nu<\/h1>\",\r\n      \"align\": \"top\",\r\n      \"row\": 8,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 7\r\n    },\r\n    {\r\n      \"type\": \"shortcode\",\r\n      \"cont\": \"<iframe width=\\\"500px\\\" height=\\\"500px\\\" scrolling=\\\"no\\\" frameborder=\\\"no\\\" allow=\\\"autoplay\\\" src=\\\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1389140407%3Fsecret_token%3Ds-ukFerOM5Z4w&color=%2344913a&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true\\\"><\/iframe><div style=\\\"font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;\\\"><a href=\\\"https:\/\/soundcloud.com\/surinaamsestrijdliederen\\\" title=\\\"surinaamsestrijdliederen\\\" target=\\\"_blank\\\" style=\\\"color: #cccccc; text-decoration: none;\\\">surinaamsestrijdliederen<\/a> \u00b7 <a href=\\\"https:\/\/soundcloud.com\/surinaamsestrijdliederen\/surinaamse-strijdliederen-jaren-70-aflevering-3\/s-ukFerOM5Z4w\\\" title=\\\"Surinaamse Strijdliederen Jaren 70 | Aflevering #3\\\" target=\\\"_blank\\\" style=\\\"color: #cccccc; text-decoration: none;\\\">Surinaamse Strijdliederen Jaren 70 | Aflevering #3<\/a><\/div>\",\r\n      \"align\": \"top\",\r\n      \"row\": 9,\r\n      \"col\": 0,\r\n      \"colspan\": 3,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 10,\r\n      \"shortcodeid\": 1669380391751\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_paragraph_oswald\\\"><span style=\\\"font-family: Oswald-Medium;\\\">\u00ad\u00adCentraal staat de reflectie op huidige sociale thema\u2019s en engagement van huidige jongeren.<\/span><\/p><p class=\\\"_paragraph_oswald\\\"><span style=\\\"font-family: Oswald-Regular;\\\"> En de vraag: zijn strijdliederen vandaag de dag relevant. Heeft dit genre toekomst? De generatie muziekmakers van de jaren 70 delen in een groepsgesprek hun idee\u00ebn met elkaar: ontwikkelingen in Suriname vanaf de jaren 80, actie(middelen) toen en nu. <\/span><\/p><p class=\\\"_paragraph_oswald\\\"><span style=\\\"font-family: Oswald-Regular;\\\">Het laatste woord is aan jongeren zelf: Gio S Telo, inheemse singer-songwriter in Suriname. Mathieu Wijdeven, theatermaker en winnaar Nederlandse Toneelschrijfprijs 2022. Lucretia Starke, sopraan en aanstormend talent van het Conservatorium Den Haag. Rusco Lamidi, prijswinnende ex-hiphopper. Wat vinden zij?<\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 10,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 14\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<h1 class=\\\"_titwel_oswals\\\">Playlist Aflevering 1<\/h1><p class=\\\"_oswaldregular\\\"><span style=\\\"font-family: Oswald-Regular;\\\">\u2022 Fri yu n\u2019e kisi, fri y\u2019e teki (Vrijheid krijg je niet, vrijheid neem je)<\/span><br \/><span style=\\\"font-family: Oswald-Regular;\\\">\u2022 Fanowdu Nowtu Singi (Lied Gebrek Eerste Levensbehoeften)<\/span><br \/><span style=\\\"font-family: Oswald-Regular;\\\">\u2022 A Nyun Prakseri (Het Nieuwe Denken)<\/span><br \/><span style=\\\"font-family: Oswald-Regular;\\\">\u2022 Kulturu Poku (Cultuurlied)<\/span><br \/><span style=\\\"font-family: Oswald-Regular;\\\">\u2022 Surinamer, 1 Nationaliteit<\/span><br \/><span style=\\\"font-family: Oswald-Regular;\\\">\u2022 Cambodja, Vietnam nanga Sranan (Cambodja,Vietnam en Suriname)<\/span><br \/><span style=\\\"font-family: Oswald-Regular;\\\">\u2022 Djai Djai Sarnaam (Leve Suriname)<\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 11,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 11\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<h1 class=\\\"_titwel_oswals\\\">Playlist Aflevering 2<\/h1><p class=\\\"_oswaldregular\\\"><span style=\\\"font-family: Oswald-Regular;\\\">\u2022 Strey Poku (Strijdlied)<\/span><br \/><span style=\\\"font-family: Oswald-Regular;\\\">\u2022 Sranankondre e kon fri wan dey (Suriname zal eens vrij zijn - OPO)<\/span><br \/><span style=\\\"font-family: Oswald-Regular;\\\">\u2022 Surinamelied<\/span><br \/><span style=\\\"font-family: Oswald-Regular;\\\">\u2022 Nyan Patoe (Vreetpot - OPO)<\/span><br \/><span style=\\\"font-family: Oswald-Regular;\\\">\u2022 NPK-handlangerskliek<\/span><br \/><span style=\\\"font-family: Oswald-Regular;\\\">\u2022 Leve de strijd van de Bijlmerkrakers<\/span><br \/><span style=\\\"font-family: Oswald-Regular;\\\">\u2022 Bow tap' eygi\u00a0krakti (Bouwen op eigen kracht)<\/span><br \/><span style=\\\"font-family: Oswald-Regular;\\\">\u2022 Na Internationale (De Internationale)<\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 12,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 8\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<h1 class=\\\"_titwel_oswals\\\">Playlist Aflevering 3<\/h1><p class=\\\"_oswaldregular\\\"><span style=\\\"font-family: Oswald-Regular;\\\">\u2022 Lobi Sranan (Ragmad Amatstam)<\/span><br \/><span style=\\\"font-family: Oswald-Regular;\\\">\u2022 Sranan e krey (Scrappy W ft Maroef Amatstam)<\/span><br \/><span style=\\\"font-family: Oswald-Regular;\\\">\u2022 Mijn Bos (Gio S Telo)<\/span><br \/><span style=\\\"font-family: Oswald-Regular;\\\">\u2022 Uma fu Sranan (Vrouwen van Suriname-OPO)<\/span><br \/><span style=\\\"font-family: Oswald-Regular;\\\">\u2022 Anton de Kom (OPO)<\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 13,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 19\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p class=\\\"_paragraaf\\\" style=\\\"text-align: center;\\\">Initiatiefnemers: Nadia Tilon, Bence Meijer en Luna Hupperetz. Grafisch ontwerp: Wouter Stroet<\/p><p class=\\\"_paragraaf\\\" style=\\\"text-align: center;\\\"><span>\u00a9 Nadia Tilon 2022<\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 14,\r\n      \"col\": 0,\r\n      \"colspan\": 12,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 15\r\n    },\r\n    {\r\n      \"type\": \"img\",\r\n      \"cont\": \"\/wp-content\/uploads\/2021\/12\/Eye_Primary_Lockup_Black.png\",\r\n      \"align\": \"middle\",\r\n      \"row\": 15,\r\n      \"col\": 1,\r\n      \"colspan\": 2,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 1,\r\n      \"relid\": 597,\r\n      \"attid\": 36,\r\n      \"sizes\": {\r\n        \"full\": \"\/wp-content\/uploads\/2021\/12\/Eye_Primary_Lockup_Black.png\",\r\n        \"_265\": \"\/wp-content\/uploads\/2021\/12\/Eye_Primary_Lockup_Black-265x110.png\"\r\n      },\r\n      \"w\": 341,\r\n      \"h\": 142,\r\n      \"ar\": 0.41642228739002934,\r\n      \"alt\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"img\",\r\n      \"cont\": \"\/wp-content\/uploads\/2022\/02\/Artboard-2.png\",\r\n      \"align\": \"middle\",\r\n      \"row\": 15,\r\n      \"col\": 3,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 595,\r\n      \"attid\": 246,\r\n      \"sizes\": {\r\n        \"full\": \"\/wp-content\/uploads\/2022\/02\/Artboard-2.png\",\r\n        \"_512\": \"\/wp-content\/uploads\/2022\/02\/Artboard-2-512x512.png\",\r\n        \"_265\": \"\/wp-content\/uploads\/2022\/02\/Artboard-2-265x265.png\"\r\n      },\r\n      \"w\": 601,\r\n      \"h\": 601,\r\n      \"ar\": 1,\r\n      \"alt\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"img\",\r\n      \"cont\": \"\/wp-content\/uploads\/2021\/12\/afk.png\",\r\n      \"align\": \"middle\",\r\n      \"row\": 15,\r\n      \"col\": 4,\r\n      \"colspan\": 2,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 599,\r\n      \"attid\": 35,\r\n      \"sizes\": {\r\n        \"full\": \"\/wp-content\/uploads\/2021\/12\/afk.png\",\r\n        \"_265\": \"\/wp-content\/uploads\/2021\/12\/afk-265x84.png\"\r\n      },\r\n      \"w\": 500,\r\n      \"h\": 159,\r\n      \"ar\": 0.318,\r\n      \"alt\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"img\",\r\n      \"cont\": \"\/wp-content\/uploads\/2022\/02\/Artboard-1.png\",\r\n      \"align\": \"middle\",\r\n      \"row\": 15,\r\n      \"col\": 6,\r\n      \"colspan\": 1,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 596,\r\n      \"attid\": 245,\r\n      \"sizes\": {\r\n        \"full\": \"\/wp-content\/uploads\/2022\/02\/Artboard-1.png\",\r\n        \"_512\": \"\/wp-content\/uploads\/2022\/02\/Artboard-1-512x512.png\",\r\n        \"_265\": \"\/wp-content\/uploads\/2022\/02\/Artboard-1-265x265.png\"\r\n      },\r\n      \"w\": 601,\r\n      \"h\": 601,\r\n      \"ar\": 1,\r\n      \"alt\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"img\",\r\n      \"cont\": \"\/wp-content\/uploads\/2021\/12\/kriterionlogo-1.png\",\r\n      \"align\": \"middle\",\r\n      \"row\": 15,\r\n      \"col\": 7,\r\n      \"colspan\": 2,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 598,\r\n      \"attid\": 38,\r\n      \"sizes\": {\r\n        \"full\": \"\/wp-content\/uploads\/2021\/12\/kriterionlogo-1.png\",\r\n        \"_1280\": \"\/wp-content\/uploads\/2021\/12\/kriterionlogo-1-1280x262.png\",\r\n        \"_1024\": \"\/wp-content\/uploads\/2021\/12\/kriterionlogo-1-1024x210.png\",\r\n        \"_768\": \"\/wp-content\/uploads\/2021\/12\/kriterionlogo-1-768x157.png\",\r\n        \"_512\": \"\/wp-content\/uploads\/2021\/12\/kriterionlogo-1-512x105.png\",\r\n        \"_265\": \"\/wp-content\/uploads\/2021\/12\/kriterionlogo-1-265x54.png\"\r\n      },\r\n      \"w\": 1736,\r\n      \"h\": 356,\r\n      \"ar\": 0.20506912442396313,\r\n      \"alt\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"img\",\r\n      \"cont\": \"http:\/\/oemafoesranan.org\/wp-content\/uploads\/2022\/03\/niemeijer-fonds.png\",\r\n      \"align\": \"top\",\r\n      \"row\": 15,\r\n      \"col\": 9,\r\n      \"colspan\": 2,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 391,\r\n      \"attid\": 325,\r\n      \"sizes\": {\r\n        \"full\": \"http:\/\/oemafoesranan.org\/wp-content\/uploads\/2022\/03\/niemeijer-fonds.png\",\r\n        \"_265\": \"http:\/\/oemafoesranan.org\/wp-content\/uploads\/2022\/03\/niemeijer-fonds-265x134.png\"\r\n      },\r\n      \"w\": 335,\r\n      \"h\": 169,\r\n      \"ar\": 0.5044776119402985,\r\n      \"alt\": \"\"\r\n    }\r\n  ]\r\n}","phonegrid":"","_links":{"self":[{"href":"https:\/\/oemafoesranan.org\/en\/wp-json\/wp\/v2\/pages\/329","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/oemafoesranan.org\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/oemafoesranan.org\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/oemafoesranan.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/oemafoesranan.org\/en\/wp-json\/wp\/v2\/comments?post=329"}],"version-history":[{"count":0,"href":"https:\/\/oemafoesranan.org\/en\/wp-json\/wp\/v2\/pages\/329\/revisions"}],"wp:attachment":[{"href":"https:\/\/oemafoesranan.org\/en\/wp-json\/wp\/v2\/media?parent=329"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}